25/Apr/2006
| BAND | SIZE | LABEL | PRICE |
| 7” | |||
| QUADRAJETS | 7″ | BRONX CHEER RECORDINGS | 4,5 |
| ANTIBIOTICOS | 7″ | DISCOS SUBTERRANEOS | 4 |
| THE FITTS | 7″ | BIG NECK | 4,5 |
| MUSHITCIANS | 7″ | MUNSTER RECORDS | 4 |
| BASEBALL FURIES | 7″ | ALIEN SNATCH | 4,5 |
| CHERRY VALENCE | 7″ | HOLY COBRA SOCIETY | 4 |
| X - RAYS | 7″ | SAVAGE RECORDS | 4,5 |
| KAJUN SS | 7″ | SHATTERED RECORDS | 5 |
| BELLRAYS | 7″ | BRONX CHEER RECORDINGS | 4,5 |
| THE REBEL ( EX- COUNTRY TEASERS) |
7″ | SDZ RECORDS | 4,5 |
| POPULAR SHAPES | 7″ | WHITE DENIM | 4,5 |
| THE HEARTATTACKS | 7″ | SAVAGE RECORDS | 4,5 |
| EX MODELS / SECONDS | 7″ | X-MIST | 5 |
| THE FEELERS | 7″ | P. TRASH | 5 |
| REAL LOSERS / ILLEGAL MOVERS | 7″ | KEN ROCK | 4,5 |
| REATARDS “PLASTIC SURGERY” NEW! | 7″ | SHATTERED RECORDS | 5 |
| TOKYO ELECTRON NEW! | 7″ | SHATTERED RECORDS | 5 |
| THE INTELLIGENCE | 7″ | HOLYCOBRASOCIETY | 5 |
| ANGRY ANGELS NEW! | 7″ | SHATTERED RECORDS | 5 |
| RIPPERS “RAW EVIL” | 7″ | RIPPER RECORDS | 4,5 |
| THE MULDOONS Producido por Jack White NEW! |
7″ | CASS RECORDS | SOLD OUT |
| FIREBALLS OF FREEDOM Exorcism in the key 7″ |
7″ | WANTAGE USA | 4,5 |
| BLOWTOPS | 7″ | BIG NECK RECORDS | 4,5 |
| LAST OF THE JUANITAS NEW! |
7″ | WANTAGE USA | 4,5 |
| DRUNK HORSE NEW! | 7″ | WANTAGE USA | 4,5 |
| THE WESTERN DARK | 7″ | PERPETRATOR | 5 |
| ULCERS / MANIKINS | 7″ | P. TRASH | 5 |
| TYRADES / LE JONATHAN REILLY | 7″ | HOLY COBRA SOCIETY | 5 |
| THE FOUR SLICKS | 7″ | SAVAGE RECORDS | 4,5 |
| THE GOLDEN BOYS | 7″ | PERPETRATOR | SOLD OUT |
| JEFFREY NOVAK ONE MAN BAND |
7″ | PERPETRATOR | 5 |
| LES SAVY FAV | 7″ | X-MIST | 4,5 |
| NIGHT TERRORS | 7″ | PERPETRATORS | 5 |
| BENDITOS / MIRACLE KINGS | 7″ | PSYCHO RECORDS | 4,5 |
| RIVER CITY TANLINES | 7″ | KEN ROCK | 4,5 |
| SAGGER | 7″ | GOODBYE BOOZY RECORDS | 4,5 |
| 10” | |||
| OMEGA CINCO / NEBUR | 10″ | HOLY COBRA SOCIETY | 7,5 |
| THE MIGHTY GO GO PLAYERS |
10″ | ALIEN SNATCH | 8 |
| LP | |||
| CHINGALEROS ” RELEASE THE APES “ | LP | BEAT GENERATION | 9 |
| MULETRAIN “DEMOLITION PREACHING” | LP | BEAT GENERATION | 9 |
| REATARDS “TEENAGE HATE” |
LP | GONER | 10 |
| GHETTO WAYS ” SOLID BROWN ” |
LP | ALIEN SNATCH | 10 |
| GENERATORS “TYRANY” |
LP | TKO | 10 |
| SMUGGLERS “GROWING UP SMUGGLER” |
LP | LOOKOUT | 10 |
| HOSPITALS ” RICH PEOPLE ” |
LP | YAKISANA | 10 |
| CD | |||
| RIPPERS ” INVERTEBRAT “ | CD | H RECORDS | 8 |
| MANIKINS ” LIE , CHEAT & STEAL ” |
CD | P. TRASH | 10 |
| LOST SOUNDS Demos Vol II |
CD | ON ON SWITCH | 10 |
| LOS DRYHEAVERS 1st and 2nd LP´s |
CD | THATFUCKINSHIT | 10 |
| WE HATE THE UNDERGROUND 25 bands! |
CD | HOLY COBRA SOCIETY | 5 |
| EL EJE DEL MAL / SOCRATES / SHOOTING VICTOR FRANCIAS / VIOLENT BREAKFAST SPLIT CD | CD | GAFFER RECORDS | 5 |
Haz tu pedido a / Make your order to:
holycobrasociety@gmail.com
25/Apr/2006
First time i heard Le Jonathan Reilly demo i was shocked to death. Where do these guys come from? How can they make such GREAT music? How is that nobody knows? Problem? solution! A split 7″ with our devoted The Tyrades and an LP/CD produced by Paco Loco @ Tigruss Studios. They sound like a mixture of the Wipers, Swell Maps ans similars, and they great musicians, great people, and teh BEST BAND IN SPAIN.
24/Apr/2006
Fronted by former E-150 vocalist Italiano, the 5-piece band play a steamroller breed of intelligent hardcore informed by the likes of HEROIN, ANGEL HAIR, REFUSED and THE LOCUST Omega 5 make the best Blatzing- electro punk that you never heard. The are the next big thing of world underground and…yeah! they recorded four great songs for the Cobra.
NEBUR
Experimental music, paranoid, dark (sometimes compared to Black Heart Procession) from the keyboard player of Omega 5… and… bah! a song is better than a thousand words, so buy and die.
LIMITED EDITION OF 500 COPIES
FORMAT: 10”
4 SONGS EACH BAND (ALL UNRELEASED AND EXCLUSIVE)
24/Apr/2006
The Tyrades have it in spades. A lead lady singer who lacerates songs with a voice that sounds like a circular saw going through something living. Guitarists whose leads and rhythms go in vicious circles like beheaded fighting cocks. A bassist who perches on his amp like a vulture, and a drummer who bleeds a lot. Punk rock: pure, ugly, mildly retarded, and simple. As timeless as pimples. As uncomplicated as how to put on underwear. As satisfying as knowing that squares nationwide still won’t get it.
20/Apr/2006
NEBUR is the band from the former OMEGA CINCO keyboard player, and he used to make intimate music in the vein of bands such BLACK HEART PROCESSION. Now he has a great band and they rock hard in the vein of bands such as THE MELVINS OR FAITH NO MORE.
20/Apr/2006
Born out of the wreckage of the REATARDS and the rubble of the short-lived CLEARS, Memphis’s LOST SOUNDS began in March 1999 in an orange 70’s kitchen with an oversized space-aged 50’s refrigerator. They were a 3-piece made up of Rich Crook on drums, Jay Reatard on synth, guitar and vocals, and Alicja Trout also on synth, guitar and vocals.
Before garage rock “broke out” into the world of MTV2, the foremost blueprint for what was to be the sound of the LOST SOUNDS was the Nuggets box set. But with a stockpile of analog keyboard previously collected for use in the new-wavy Sid barret-esque CLEARS and the Killed by Death/Bloodstains persuasion on members of the REATARDS an indescribable sound was forged. Rich, Jay and Alicja made haste and used these influences to fill a void between the both dying garage scene and suffering hardcore scene in Memphis.
Once the most hated, most bloody, and the least likely to succeed band in Memphis due to volatile personalities and uncontrollable drinking habits, the LOST SOUNDS somehow caught a few eyes in Buffalo NY. Two unsuspecting victims from Bigneck Records offered to put out an album after hearing home recordings and the first extremely limited 7″ released on a brand new punk label from Italy Solid Sex Lovie Doll, which had turned some underground punk rock n’ roll heads. The LOST SOUNDS then made MEMPHIS IS DEAD for release in 2000.
As garage grew boring and restrictive for the band members’ tastes, “the” was dropped off the front of LOST SOUNDS. Coined “BLACK-WAVE” on their second full-length release in 2001 on Empty Records, LOST SOUNDS created their own genre. “Black-Wave” is a term created out of the genres black metal and new-wave specifically to describe LOST SOUNDS. LOST SOUNDS started to appear on Memphis’s top ten bands lists, though always with a “DANGER DANGER Will Robinson” warning attached graciously for the weak at heart. The official birthplace of rock n’ roll, home of the blues was actually gonna foster out it’s weirdo child proudly to the rest of the USA. LOST SOUNDS grew an extensive new catalogue of songs and Jonas Garland was added to play bass. Songs grew more difficult, accuracy grew more important, and band members dropped the malaise of alcohol-fueled inspiration for a purer more sober and precise energy. Songs developed backwards sounding mechanical beats, orchestrated breakdowns, and themes of apocalyptic fears simultaneously with non-conformist joy that they would not be contributing to the world’s passive pathway to self-destruction. In 2002 Empty Records released RAT’S BRAINS & MICROCHIPS that covers themes like Revelations and the barcode implant (Breathing Machine) and Columbine gun-toting kids (Blackcoats/Whitefear). Radon, destruction, doom, technology, petty vanity, and Satan somehow formed a common theme of bitterness and frustration, yet is dispersed amongst rock ‘n roll guitars and Newmanoid synth sounds to create a joyful cry of life and death.
Though the line-up has changed several times throughout the 4 ½ years, the current one includes the original members Rich, Jay and Alicja, and Jonas who switches between bass and guitar. LOST SOUNDS have made three official albums, two full length releases of demos and outtakes, and several 7″s, all recorded at home by the band for a distinctive sound.
They have split up, but they keep doing good with their new projects, such as RIVER CITY TANLINES, ANGRY ANGELS, FINAL SOLUTIONS, BLACK SUNDAY, ETC
20/Apr/2006
Fronted by former E-150 vocalist Italiano, the 5-piece band OMEGA CINCO play a steamroller breed of intelligent hardcore informed by the likes of HEROIN, ANGEL HAIR and THE LOCUST, with the added twist of Spanish lyrics. Originally formed in 1999, the band solidified a year later and self-released their debut EP on their own Ozono Kids label. In 2002 they released a split 10″ with NEBUR on Madrid’s Holy Cobra Society.
Their GSL 7”, “En Tu Casa O En LA Mia”, was released in early 2003. Recorded during the band’s brief trip to California in the summer of 2002, it was produced by Pete Lyman (LIVING SCIENCE FOUNDATION, SUBPOENA THE PAST) and Sonny Kay. OMEGA CINCO dissolved in October 2003 after a final split EP (under the name OMEGA CUATRO as only 4 members were present!) with Arnau and Mau’s other band, THE CHEESE. Search for LES AUS, VORTICE and their other new projects. They rule and we love them!
20/Apr/2006
For those of you who don’t know, this is the real deal, Jack. Sexy and intelligent, passionate and powerful all at once, listening to the Bellrays is like getting kicked in the balls by James Brown. No shit. The Bellrays call their music “Maximum Rock & Soul,” which is as much a description of the heart that goes into their music as it is the music itself.
Taking a nod from groups as diverse as the MC5, Parliament, James Brown, Miles Davis, the Stooges, 60’s R&B, and the Who, the Bellrays have succeeded in doing what few bands can do- making visceral music that emanates straight from the soul. Imagine a bus full of Motown recording artists being steamrolled by Black Flag, and you have a pretty good idea of what the Bellrays sound like.
Formed in the Riverside California area, the band started out much closer to their R&B roots, with Lisa Kekaula’s rich pipes and Bob Vennum’s stinging guitar tones rooting the group in blues and soul. However, with the recent addition of Tony Fate on guitar and with Vennum moving over to the bass, the Bellrays have found the perfect formula for rocking out.
The BellRays recently signed with music impresario/svengali Alan McGee’s Poptones label for European distribution. Poptones released “Meet The BellRays”, a compilation of songs from the domestic releases “Let It Blast” and Grand Fury.”
The BellRays were the buzz of the 1999 SXSW festival. They have toured the country with Nashville Pussy, shared the stage with The White Stripes, The Hives, The D4, Wayne Kramer, and Rocket From the Crypt, and gained the admiration and respect in every town they play.
Visceral, savvy, and honest, the Bellrays remind one of a time long past when music was dangerous and musicians were the people you didn’t want your daughter going out with.
THE SOUL-PUNK REVOLUTION! HIGH ENERGY! FUTURE NOW!
20/Apr/2006
Le Jonathan Reilly will be playing at Primavera Sound Festival 2.006! We´ll be announcing the stage and showtime, so don´t miss them up and don´t forget to visit the Holy Cobra Society stand to buy their records, t-shirts, pins, etc. And we´ll give free beer!
_______________________________________________________________________
Le Jonathan Reilly estarán tocando en el Primavera Sound 2.006! En breve anunciaremos el escenario y la hora, así que no dejes de verlos y de pasarte por el stan de Holy Cobra Society a pillar su nuevo LP, camis, chapas y lo que sea. Y os invitamos a birra!
20/Apr/2006
Now available the new The Intelligence 7″. Three unreleased and exclusive songs for Holy Cobra Society. 650 copies!
Ya disponible el nuevo 7″ de The Intelligence con tres temas inéditos y exclusivos para Holy Cobra Society. 650 copias!